![]() ![]() You can save various attributes in a Mixer Scene.It doesn't have to be everything all at once. It's great for storing points of progression in a mix or trying out new ideas without getting lost in lengthy Undo histories. You can use it to compare mixes or perhaps try three different plug‑in chains on the vocals. Now you can simply save it as a Mixer Scene and come back to it with a single click. ![]() Perhaps in the past you would have put together a basic mix and then saved a new version of your project so that you had a safe place to go back to if it all went wrong. In a nutshell it's the ability to save snapshots of the mixer with all the plug‑ins, sends, panning, levels and routing as a Scene. Mixer ViewĪlthough the console looks and acts the same, there's one new feature that's potentially revolutionary: Mixer Scenes. And it's also great for other effects and doing interestingly wobbly things with audio. If you want to do a tape-stop effect then this will pull that off perfectly. With this option selected on a track any tempo changes will be reflected in the slowing down or speeding up of the audio in a tape-based style. ![]() After years of working to perfect the ability to separate time and pitch PreSonus brings back the old-fashion way of changing the speed of playback with the 'Tape - Resampler' mode. You can also right-click in the Inspector space and select 'Create Arranger Sections From Markers' to push the markers into the Arranger Track, which is an obvious shortcut now that you think about it. The Marker Track gets its own Inspector panel with a simple list of the markers which you can jump to or rename. Instead, with this option ticked the material behind the clip is deleted and the overlapping clip takes its place. This removes the strange greying of clips that happens if you place a clip over the top of another clip where the previous clip still exists underneath. Staying with clips for the moment, PreSonus have added an option to the Advanced Options menu that says 'No overlap when editing events'. You can make all sorts of adjustments with Clip Gain Envelopes. (Check out this handy PreSonus Clip Gain Envelopes explainer video. It's perfect for taking out glitches, smoothing peaks or evening things out without having to get into automating the track volume, and there's plenty of room for exploring avenues of amplitude modulation. The waveform display follows along nicely, giving you a graphical view of any changes. With version 5 you can go to town with creating what PreSonus call Clip Gain Envelopes, using any of the transform tools from lines to sine waves to freehand. With version 4, each clip had a gain handle that you could pull up and down, and fade handles at the top corners for creating a basic volume envelope. There's been a very welcome change to how the gain of clips is handled. PreSonus have paid attention to their diverse user base and brought in a superb range of new features worthy of a major update. I guess they felt they nailed it with version 4 so why waste development time trying to improve upon perfection? Moving along, then. There's a tiny bit of rejigging in the Inspector channel strip and the addition of the Show button, but otherwise there are no discernible changes. When you open up this fresh new version you're greeted with the comfortingly familiar sight of exactly the same interface. We have mixer scenes and a listening bus in the console for the studio people, we have score writing and MPE editing for the composers, we have a whole new Show Page for live performers and a new way of paying for it in the PreSonus Sphere. Where some DAWs have a definitive focus, Studio One would like to be all things to all people, and so with version 5 it has something for everyone. It's been 10 years since Studio One first appeared as a spunky little DAW with ambitious hopes of poaching users from the long-toothed platforms of Cubase, Logic and Pro Tools. Studio One continues to battle the big hitters with a broad range of enhancements and new features. The main GUI is unchanged but some of the plug‑ins have had a facelift. ![]()
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